It's easy to see why Cage wanted to be in this movie. Rob is a great character, a philosopher-monk identified by Amir as a practicing Buddhist, but also a Christ figure, a clown, and a regular guy who, catastrophic losses notwithstanding, is too full of himself to connect and heal. He's full of mystery and tenderness, with hints of repressed despair and rage. He doesn't talk much at first, but grows more verbose as the story unfolds, probably as a result of Rob reentering society and being forced to use communication skills he'd been keeping in storage. The script and direction regard nature with the eyes of people who are comfortable in it. When the film moves to the city, the urban landscapes are as oppressive as the forest was comforting.
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